The Making of Donald Trump

Originally published in Cultural Weekly on June 29, 2016. 

David Cay Johnston is the best investigative reporter I know. I first became aware of his work at the LA Times when he did exposés on the LAPD’s covert operations, and I have followed his writing since, at the New York Times, Reuters, and, more recently, Politico. He’s won the Pulitzer Prize plus (disclosure that we’re friends) he’s a really great guy.

For the past 30 years, David has been covering Donald Trump. Now David is racing to complete The Making of Donald Trump, his newest book which will be on sale August 2. It’s sure to contain detailed reporting and a host of revelations.

I’m encouraging all Cultural Weekly readers to pre-order this book right now, so it has strong initial sales at Amazon, which will boost awareness of it even more. In fact, order two copies: one for yourself, and one to give to someone who is undecided about how to vote.

Pre-order here:

Top image from Donald Trump’s campaign website.

ART AGAINST ANGER

Originally published in Cultural Weekly on April 6, 2016.

Trump is the symptom. We are the cure.

It doesn’t matter if Donald Trump becomes the Republican presidential nominee, takes a third-party run, or retires from politics and uses his increased brand recognition to inflate his net worth.

His candidacy has unleashed a nativist anger, an anger that has always existed in America but, until Trump, had not found an mass-market spokesman in this generation. It will not go away even if Trump leaves the scene.

Trump is part of a long, tragic lineage of American hatred. In a recent interview with the New York Times, Trump said, “I’m not isolationist, but I am ‘America First.’ We have been disrespected, mocked, and ripped off for many, many years by people that were smarter, shrewder, tougher.”

Is it just me, or do you hear a reference to the America Firsters, the pro-Third Reich group led by Charles Lindbergh before the US entry into WWII? In Trump’s vilification of people who are “smarter, shrewder,” do you detect anti-Semitic jargon? That’s the idiom of dog-whistle politics. You can hear it if your ears select the right frequency.

But Trump is just the vessel; these new America Firsters now have an organization and they will continue to mobilize it. The implicit violence he advocates – against Mexicans, Muslims, blacks, women, the poor, anyone who opposes him or stands in his way – is not new, it is just magnified. We’re witnessing the creation of an American National Front, with Trump as our Jean-Marie Le Pen, and, likely at some point, Invanka as our Marine.

The anger of artists is not the anger of the mob.

It’s a time of cultural transformation, and not the good kind. As always, artists will be on the front lines. Artists will be targets even more than we are now. And artists, as always, will be prophetic in showing a path out of the mire.

Artists are angry too. All good art has anger in it. Art is the reaction to seeing the world as it is and the desire to shape it in a different way.

But, as artists, our anger is different.

Artists’ anger is borne from love. Real love. Not the pretense of love that’s cloaked in violence, which you’ll hear from some fundamentalist groups – the people who say they “love the sinner but hate the sin” as a veiled threat to women’s rights or the LGBTQ community.

Artists’ anger comes from the love that wants to make the world a better place. Our anger is not prone to physical violence because we seek constructive change instead of destruction.
We’re scared of violence and have every reason to be. It takes years to create and seconds to destroy.

That’s why, now, it is imperative to support artists of all kinds, and especially artists at the margins, whose creative spirit moves in the direction of change. Their work, our work, is to move culture away from the destructive anger of nativist politics and toward a better world. Given the rise of the new America Firsters, this work will occupy the rest of our lives.

Image modified from Doanld Trump’s official website, photo by Gage Skidmore.